Cody Garbrandt Footwork: The Key to His Bantamweight Success

When Cody Garbrandt burst onto the UFC scene, his explosive power and relentless pressure quickly made him a fan favorite. Yet, behind the knockout punches lies a less obvious but equally vital component of his game: footwork. Understanding how Garbrandt moves in the octagon offers valuable lessons for fighters at any level, from aspiring amateurs to seasoned champions.

Why Footwork Matters in the Bantamweight Division

The bantamweight class is known for its fast pace and high volume striking. A fighter who can control distance, create angles, and reset the rhythm gains a decisive advantage. Garbrandt’s footwork allows him to:

Core Elements of Garbrandt’s Footwork

Garbrandt’s movement can be broken down into three fundamental habits that he consistently displays in fights such as UFC 207 and his title bout against T.J. Dillashaw.

  1. Low, athletic stance – He keeps his knees slightly bent, which provides a spring‑like foundation for quick bursts forward or backward.
  2. Sharp lateral steps – Rather than circling in a wide arc, Garbrandt uses short, deliberate steps to angle off the center line, creating openings for his left hook and right cross.
  3. Explosive forward pressure – When he sees an opening, he drives forward with a combination of a lead‑foot step and a hip thrust, maximizing power without sacrificing balance.

Applying Garbrandt’s Footwork to Real‑Life Training

Jeff Chan from the YouTube channel MMAShredded often breaks down Garbrandt’s movement patterns and translates them into drills that can be practiced outside the octagon. Below are three drills inspired by Garbrandt’s style:

Footwork in the Octagon: A Fight Breakdown

Rewatch the full fight between Cody Garbrandt and T.J. Dillashaw at UFC 207 to see footwork in action. Early in the first round, Garbrandt uses a series of quick, diagonal steps to cut off the cage, forcing Dillashaw into a corner. This positioning allows Garbrandt to unleash a flurry of punches that ultimately leads to a first‑round knockout. Notice how each step is paired with a slight pivot of the hips, a